Music, Passion, and Cognitive Function examines contemporary cognitive theories of music, why they cannot explain music’s power over us, and the origin and evolution of music. The book presents experimental confirmations of the theory in psychological and neuroimaging research, discussing the parallel evolution of consciousness, musical styles, and cultures since Homer and King David.
In addition, it explains that 'in much wisdom is much grief' due to cognitive dissonances created by language that splits the inner world. Music enables us to survive in this sea of grief, overcomes discomforts and stresses of acquiring new knowledge, and unifies the soul, hence the power of music.
1. Introduction - p. xiii 2. Chapter 1. Theories of Music - p. 1 3. Chapter 2. Mechanisms of the Mind: From Instincts to Beauty - p. 17 4. Chapter 3. Language and Wholeness of Psyche - p. 25 5. Chapter 4. Music - p. 31 6. Chapter 5. Experimental Tests of the Theory: Music - p. 39 7. Chapter 6. Experimental Tests of the Theory: Beauty and Meaning - p. 57 8. Chapter 7. Music and Culture: Parallel Evolution - p. 83 9. Chapter 8. Musical Emotions and Personality - p. 135 10. Chapter 9. Other Aesthetic Emotions - p. 147 11. Chapter 10. Future Research and Summary - p. 153 12. Literature - p. 161 13. Index - p. 177
Music, Passion, and Cognitive Function examines contemporary cognitive theories of music, why they cannot explain music’s power over us, and the origin and evolution of music. The book presents experimental confirmations of the theory in psychological and neuroimaging research, discussing the parallel evolution of consciousness, musical styles, and cultures since Homer and King David.
In addition, it explains that 'in much wisdom is much grief' due to cognitive dissonances created by language that splits the inner world. Music enables us to survive in this sea of grief, overcomes discomforts and stresses of acquiring new knowledge, and unifies the soul, hence the power of music.
1. Introduction - p. xiii 2. Chapter 1. Theories of Music - p. 1 3. Chapter 2. Mechanisms of the Mind: From Instincts to Beauty - p. 17 4. Chapter 3. Language and Wholeness of Psyche - p. 25 5. Chapter 4. Music - p. 31 6. Chapter 5. Experimental Tests of the Theory: Music - p. 39 7. Chapter 6. Experimental Tests of the Theory: Beauty and Meaning - p. 57 8. Chapter 7. Music and Culture: Parallel Evolution - p. 83 9. Chapter 8. Musical Emotions and Personality - p. 135 10. Chapter 9. Other Aesthetic Emotions - p. 147 11. Chapter 10. Future Research and Summary - p. 153 12. Literature - p. 161 13. Index - p. 177
